some overdue thanks

A roll of thank-yous!

To Katie at scrumdidlyump for her notes on my shop in the Howard Street Handmade blog. It's exciting to see someone else's view on your work. Howard Street is good fun to participate in, and I'm glad it's going well!

To fellow Etsyian mysticwynd for including my mossy tree in her lovely Arbor Day treasury.

Check out her shop for pretty pretty jewelry pieces, with some gorgeous glass and floral details.

And to KBShimmer for including one of my wraps in her sweet treasury for picnic time! Perfect for the warmer weather and sunny days.

Check out her shop for handmade soaps & bath bombs. I'll admit I'm intrigued by "Chocolate Beer cold process soap" and there's some Mint scrubs that make me want to actually clean the dog hair out of the bathtub so I can relax for a soak myself.

Many thanks, ladies!

time flies...

...whether you're having fun or not. Some space has been made in the studio as one project has made it's way out the door:

And I've annexed the guest room for auxiliary studio space, to stash my portable design boards (on blue insulation foam) and rolls of fabric for the next project. Striking the balance between what needs to happen NOW--or better yet, yesterday-- and the flow of ideas for pieces I want to make or have already started, isn't easy. I suppose that is the difficulty for anyone working at making a living doing something they love.

It's been a pleasure, though, to spend some time with my old machine, referred to as Nasty Maury. I can't imagine, now, how I managed to quilt a queen-size paper pieced quilt on this monster. I'm probably blocking the memories for a reason.

I'll admit, though, that I miss Maury's ability to adjust the pressure of the presser foot-- it's awfully handy for getting over high spots and thick seams. The Pfaff doesn't allow for that, and I remember asking about it when I was shopping for that machine; the saleswoman looked at me like I was nuts. If any of you out there find yourself shopping for a sewing machine, always ask questions! Think about what you want to do, or what you may have had trouble with in the past/on a previous machine. Think about the features you envy on your friend's machine. Test drive, test drive, test drive-- would you buy a car without taking it for a spin first?

This piece, Leaves #2, will be making its way to the Etsy shop this week. The frame measures slightly more than 8x10, and the stitched portion is about 3"x7". I'm really happy with the way it looks in the frame and will probably list it that way-- something new for me. I've also been listing some new wraps, ready to take along on your next outing.

We used ours for a take-along lunch on a trip to the Asheville Art Museum this weekend. The goal was to check out the Christo and Jean-Claude exhibit, but we had to wait about an hour and a half (waited down the street at Barley's Taphouse, with some local brews...) for a panel discussion to clear out. Who schedules a discussion to take place *in* the sole room of the exhibit, for 2 hours, on the last day? It was interesting, though, to see the sketches and topographical maps used for presenting the art installations. He had used the actual fabrics in the rendering, coloring and shading over them, stitching them down, over photographs of the space- a cool mixed media vision all on its own.

What's happening in the studio?

..... cleaning, for the moment. The second go-round of Howard Street Handmade was this Saturday, so much of the past week invoved late nights peparing a few things and prepping some better ways to display my wares. The balance has been spent in eyeball-crossing math and layout for one of the other projects on my plate at the moment, and I really ought to know by now *exactly* how to figure the necessary amount of fabric for making bias binding strips.

There's a decent explanation (if you've ever spent some time with scissors and a sewing machine) here, although I'd like to put together my own version with a fabric that has an easily visible "wrong" side. So that's in my immediate future. I've brought my old machine up from the basement, where he's been boxed up since the move a year and a half ago, to get a clean-up and trial run with the heavier weight fabrics I'll be working with in the coming weeks. While my much-loved Pfaff is supposed to be able to handle all sorts of chores, it's a bit too precious to me to take any chances. The old Kenmore is like a sewing machine equivalent to a pick-up truck from the 70s... battered, some things don't really work, but it's made of real metal and will crash it's way through just about anything.

Several new small pieces were finished just in time for the show on Saturday, and those will make their way into the Etsy shop in the next few days, when the camera battery gets recharged. The tree that made an appearance here a week or two ago was sold at the show, and I neglected to take any pictures first (kicking myself for that), so I want to be certain I've covered everything this time around.

I've also finally gotten back on track with wedding planning, which makes it's way in and out of the studio and everything I'm working on as I keep an eye out for inspiration. There's some great ideas and eye candy on the Etsy Wedding site, and I'm starting to get excited about the whole process again. I'm doing my best to not lose focus here, but it is, after all, a wedding....

gaahhh.

I wasn't too threatened by the warnings of snow for yesterday... but this is what we woke up to this morning.

Last fall I planted hosta, lily of the valley, and one beautiful peony, all of which were happily making their way, and I'm glad I decided to cover them up last night. I realized this morning that I missed a few out front, which are now under an inch of snow.

The sight of those snow-covered pots is jarring something in my sketching brain-- that part that makes me squint at things and cross my eyes to see it in a different light, and grab whatever scrap of paper is available to make my visual notes on what I'm seeing. Sometimes it's the way light hits an object, or an angle that makes me think it bears an uncanny resemblance to a totally unrelated memory. Sometimes it's just the pattern of lines on the back of a truck, or the side of a building. I feel a pang when I read articles about people with sketchbooks and journals full of ideas and colors-- mine are scattered into pockets, coats from last summer, under the seats of the car, on the grocery list, and a hundred other places.

But then I have the pleasure of coming across a scrap months later, and the idea is new to me all over again. Maybe I see something different than I did the first time; maybe I have no idea what I'm looking at. It's especially nice when there are notes involved. "numbers. circles in washers and coffee mugs. arc upwards on frame." Obviously I had a plan there, and I might eventually remember what it was, lol.

My stack of new wrappers got sidetracked yesterday when I discovered I'd lost my wallet, but there should be some posted to the shop later today or early tomorrow in new fabrics.

I also have a few smaller pieces in the works, including some new trees. It's one of the nice things about this combination of being surrounded by woods and the trees still being leafless, every time I look up from what I'm doing, I'm staring at those overlapping bare branches. It's an endless fascination for me.

After a beautiful weekend, the weather's about to turn nasty again-- 80 degrees yesterday, and a forecast of snow for tonight. Aside from needing to cover a few of my plants, I know what this means for me:

Sketchbook, maybe some watercolors and textile paints on muslin scraps, and lots of charcoal. With a drop in temperature and clouds rolling in, my mind turns inward and starts to wander, and that's a great thing for the creative engine. I get that holed-up-for-winter feeling. Out comes the file of pictures for fodder, and hopefully by the end of the week there will be a few new pieces making their way onto frames and boards.

While all that is going on in my brain, I'll be working on another batch of those sweet potato burritos and trying to keep my hands off the cupcakes we picked up from Short Street Cakes yesterday.

oh yeah....

The great big piece has left the building, and is settled in its new home.... It's funny how appropriately-sized it seems hanging on the wall, when it was taking up most of my little studio and spilling out into the next room. I've been doing so much smaller work that I had forgotten what a pain it can be to squeeze things through the throat of my machine, having to continually stop to reroll. I wish I had photos of me cramming queen-size quilts through that space; I know I've done it, but I can't picture it when I'm sitting there.I'm happy, I'm proud, and I'm wishing for a good massage to get all those knots out of my shoulders before I start the next project.

confessions of an overthinker?

Okay, I'll admit it... blogging, for me, is not an easy habit to develop. I am not, by nature, the type to chat up folks I don't know, or to talk when I'm not sure what I want to say. As a student, I dreaded classes where I was required to turn in rough drafts and outlines for papers-- I would write the paper first, then go back and create an outline and change a few things to create a rough draft.

What does that have to do with blogging?

I find it difficult to post when I don't have anything fully formed and ready to go. When I think (like now) that I'm probably rambling. When I'm convinced that if I give it just a little longer, I'll come up with something more interesting, or helpful, or just a bit more fleshed out. Like many people, I want to get it right the first time, and that often leads to procrastination and avoidance.

I cannot count the number of times I've come across something that was truly inspiring, and made me think, That's right! You just have to jump in and do it! Just make that decision, take that first step! The world won't end! And yet, it seems that's a lesson I will spend my entire life relearning, every few weeks. When I was painting regularly, one of my coworkers would occasionally come up to me (as I stood staring in frustration at the mixing table, or drafting table, or in front of a drop) and say, Gwen, it's only paint.

So, note to self: it's only fabric. It's only art. It's a beautiful day, my family is- mostly- healthy and happy, and it's time to go make something.

photo catch-up

Updating with a few photos taken in the past several days... I've been a little lazy with the camera, in part because we drained the battery. You think you have your shot all lined up, and then it just shuts off. It's also been gray and rainy for a while, and though I love all the fog and mist and find those gray days to be pretty good for me creatively, it does make it harder to get nice photos. My best work time, usually, is very very early in the morning and late in the evening-- I think there's something about the non-descript character of the outside at that time (in the dark, or in the gray/overcast days) that lets my mind run free. I'm not thrown off track by external stimulation. Or maybe I'm just a night owl.

Back to the tree. Here's a before-thread view. I've gone back in and fleshed out some spots, added pieces to tweak the color.
And this is roughly the same area, with thread work (and low light). One of the things I love about working in fabric is being able to add this layer... with something like painting, you create the image and any adjustments or additions you make (while lovely, I'm not knocking painting) are additional layers of the same material-- paint. In most cases. With fabric, you can create the image and completely change the character and direction of the piece simply by adding the threadwork.

The colors and size of the thread used can have a dramatic effect, adding dimension, or pattern, or the suggestion of other meaning that isn't immediately noticeable in the overall image. Deciding what and how to quilt a finished top is something that many quilters struggle with-- what will complement it best? Should I emaphasize one part of the design over another? Should I use thread that matches the background, or go for high contrast? But they're crucial questions. The thread can take a piece from "nice" to "WOW". Sometimes it just serves to liven up the image. I started this piece about 2 years ago, and finally felt "done" this past summer.

For a long time, it sat here:

while I wondered what on earth I was doing with it. The reddish-purple bits weren't making me happy and something just didn't feel right. But the thread helps, changes.

All of which is to say, this is a big part of why I love working with fabric- the potential for changing direction and adding depth without losing what you started with.

how to grow a tree

Let's just jump right in...

First there's the "empty canvas"-- if you look closely, you can see the faint charcoal outlines of the trunk and branches.

With the pile of brown paints and the teeny rotary cutter, I get busy slicing and shaping.
Now the overall shape is clear, moving outwards into the smaller branches, and I start to close some of the gaps.

The body gains solidity and more shaping to define the places where there is overlap or a split between branches. I've been tacking things down with the iron along the way, just a brief 2 or 3 second touch to keep the pieces from shifting as I layer and cover gaps. Before moving into the top section I'll slide my small pressing mat underneath and press over the whole lower trunk.
The whole piece is shifted to give me access to most of the top area. It is all resting on a piece of blue insulation foam (the stiff stuff, about 1" thick, that you can find at places like Lowes or Home Depot), which in turn is balanced on the ironing board. Insulation foam is, I think, the easiest and fastest way to give yourself a design wall. You can pin into it and prop it against the wall, or wrap it in flannel-- even a bedsheet would do-- and your fabric will stick to it without pins, great for auditioning fabric placement.

Here I'm using the tweezers to place fabrics in the upper branches. Why tweezers? Partly because I've been drinking too much coffee. But mostly because there's less chance of me disturbing the other pieces. It's very easy to end up knocking something out of alignment. Also, it's not easy to get a hold on a teeny sliver of fabric without accidentally shredding or fraying it, and the tweezers allow you to manipulate the placement much more delicately.
And the full image:
I'll go back in to tweak some areas where it needs a bit more coverage, or where an especially light or dark fabric is leaping out and needs toning back, but overall it's ready for threadwork. Once the thread is in, the foliage will be added and stitched over. But that's for another day....

adding color

New updates on the big project! I managed to get a few photos while the light was nice and sunny. All the color lay-in is done on the side panels and I'm cutting for the center panel, which is the most delicious part for me. I love putting the trees together.
This is the left side panel, with the right up at the top of the post. From this point, they're ready for threadwork, and then will be stretched on a wood frame. Once this project is done, I'll do a post with some step-by-step photos showing how I do that part-- this one will be a bit unwieldy to get pictures along the way. The side panels are 24"x48" so I'll need both hands...

The panel is resting on my ironing board so I can tack pieces down a little at a time. Taking a hint from Melody Johnson and her super helpful blog (one of the first I started reading, check out the list in the sidebar for specific info on fusing), I use pre-fused fabrics with the paper removed. This creates what I think of as my "paints". I can then cut freely without have to worry about stitching every single piece.

You can see the paper template behind the board-- I roughed in the leaves with charcoal pencil, but having the drawing available helps me sort out what I'm seeing when the leaves overlap.



My pile of green paints is on the table, along with several small rotary cutters, scissors, and the all important tweezers, which make arranging small pieces much easier.

If you're here visiting from my Etsy shop, thanks for coming by! This current piece is absorbing all of my time right now, but I'm nearly done, and will get back to making art in a more manageable size. On the other hand, if you have a lot of wall space you're looking to liven up with something none of your neighbors have, I can help you out, lol. This piece is a commission for an Asheville resident with a very tall living room wall; I hope to have a few pictures when it's done.