Again, tons of visual feasting. We didn't really get any photos of the house up close (and of course no photos allowed inside)... we end up looking at all the teeny stuff or architectural details that most people won't bother with. There's gargoyles everywhere and they're ALL DIFFERENT. The amount of design that went into all the individual decoration is mind boggling. There's a neat little exhibit in one of the basement rooms that shows a lot of the construction of the house, including a photo of some of the zillions of plaster models made by the architect as a guide for the stone carvers. I can't imagine how many crates full of models got shuttled back and forth from NYC to Asheville while all this was going on.
So now we're back to Howard Street!
Rob helped me get my table set up and pieces hung on the impromptu wall (door wrapped in fabric) since I was a shaky panicked mess. I couldn't even get through my cup of coffee that morning. My table mate didn't come, so I had the raffle items next to me, which was really very nice and kept me making conversation.Foot traffic was steady-- these shots were taken right as we were opening the doors.
And now, I've got to get back in the studio, which still looks like it did Friday night before I finished packing for the show, only with more stuff spread out... maybe next week I'll get caught up on the housecleaning. Lots of work to get done in the next few days, and I'm still sketching off trees we spotted in walking around the grounds at Biltmore, so not to fear-- more updates to come.
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